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Lesson 5: Note Durations, Part 2In the previous lesson you saw the relationships between different notes. For example, you learned that four quarter notes equal one whole note. You learned that two eighth notes equal one quarter note. You also learned that adding a dot to a note increases its time duration by one half of the original note value. For example, adding a dot to a 2-beat note (half note) results in a note that is three beats long (2+1=3) In a similar fashion, adding a flag to a note makes a note half as long. Remember the eighth note? It takes two sixteenth notes to equal one eighth note. It takes four sixteenth notes to equal one quarter note. How many sixteenth notes does it take to make one half note? Eight! One whole note? Sixteen! Many times when two or more eighth
notes are written side-by-side, the flag is replaced with a beam: Same thing for sixteenths: Concerning the direction of stems, it is important
to know that sometimes stems can point upward, as in the examples above.
But stems can also point downward, if the note is above the middle line
of the staff:
RESTS
For every note, there is a corresponding rest of the
same length. For example, the whole note ( The half note gets two beats, and so does the half
rest: Here are the "rest" of the rests! The quarter rest (1 beat): The eighth rest (0.5 beat): The sixteenth rest (0.25 beat): Take a look at the following table. It shows the relationship between all of the notes and rests that you will use for the next several lessons*:
* You can continue to add flags to
sixteenth notes and get progressively smaller note values: three flags
= 32nd note; four flags = 64th note; five flags = 128th note (!)
TIESA tie is a slur (curved line) that joins two
notes together so that they are played as one long note. Example:
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